As the reputation of the Shaolin martial arts grew during the following centuries, its name became synonymous with martial arts, regardless of whether an individual art traced its origins to the Shaolin Monastery in Henan or not. The monks were primarily known for their spear and staff techniques until the Ming- Qing transition when they began to specialize in unarmed combat. The monks began to practice military weapons sometime around the Tang Dynasty and became famous for aiding the future Emperor Li Shimin in struggles against rebellious forces. The monastery in Henan is the original Shaolin Monastery. He organized all his learnings into what is today's Northern Shaolin style. He was renowned for his Iron Palm techniques and the application of the long spear. When he was young, Gu traveled throughout Northern China to learn all the northern kung fu systems. Many legends tell of Gu's feats according to tales related by his close students, Gu's father was an accomplished exponent of the Tan Tui ("springing leg") form. The Northern Shaolin style was made famous by the late Gu Yu-jeung. The fluidness of the movements combined with acrobatic techniques are trademarks of the Northern Shaolin sets. The practice sets/routines are not only practical in applications but are also graceful and artistic in nature. Then, two or multiple man sets are practiced to train responses and applications of techniques learned from the sets. The students learn the basics by practicing the routines until the movements in the routines can be executed naturally based on instinct. The system teaches empty-hand techniques and weaponry through predetermined combinations, known as forms, routines, or movement of sets. The northern styles of kung-fu generally emphasize long range techniques, quick advances and retreats, wide stances, kicking and leaping techniques, whirling circular blocks, quickness, agility, and aggressive attacks. The Northern Shaolin style of kung fu is one of the most prominent traditional northern styles of Chinese martial arts.
It has been suggested that the presence of high kicks and flying kicks found in Southern styles, in Okinawan martial arts, and hence in modern non-Chinese styles such as karate and taekwondo (and by extension modern kickboxing) are due to influence from northern styles during the first half of the 20th century. The influence of Northern styles can be found in traditional Korean martial arts and their emphasis on high-level kicks. In general, the training characteristics of northern styles put more focus on legwork, kicking and acrobatics. Northern styles exhibit a distinctively different flavor from the martial arts practiced in the South. Chángquán is often identified as the representative Northern style and forms a separate division in modern Wushu curriculum. The group of Northern martial arts includes many illustrious styles such as Baguazhang, Bajiquan, Chāquán, Chuojiao, Eagle Claw, Northern Praying Mantis and Taijiquan. Northern styles/Běi pài (北派) feature deeply extended postures-such as the horse, bow, drop, and dragon stances-connected by quick fluid transitions, able to quickly change the direction in which force is issued.
WUSHU TAOLU BASIC TRAINING PDF PROFESSIONAL
Manchu banner soldier, a caste of professional martial artists active in Chinese society as recently as a hundred years ago
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